{"id":49234,"date":"2025-04-22T14:54:53","date_gmt":"2025-04-22T11:54:53","guid":{"rendered":"https:\/\/jazzkaar.ee\/?p=49234"},"modified":"2025-04-23T11:35:41","modified_gmt":"2025-04-23T08:35:41","slug":"jazzkaar-2025-opening","status":"publish","type":"post","link":"https:\/\/jazzkaar.ee\/en\/jazzkaar-2025-opening\/","title":{"rendered":"R\u00e4\u00e4ts\u2013Randalu\u2019s Marginalia and Dividends"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":11,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1495],"tags":[],"class_list":["post-49234","post","type-post","status-publish","format-standard","hentry","category-reviews"],"acf":{"image":{"ID":49240,"id":49240,"title":"Kristjan Randalu Jazzkaar 2025 2","filename":"Kristjan-Randalu-Jazzkaar-2025-2.jpg","filesize":911949,"url":"https:\/\/jazzkaar.ee\/wp-content\/uploads\/2025\/04\/Kristjan-Randalu-Jazzkaar-2025-2.jpg","link":"https:\/\/jazzkaar.ee\/en\/jazzkaar-2025-opening\/kristjan-randalu-jazzkaar-2025-2-2\/","alt":"","author":"11","description":"Foto: Raul Ollo","caption":"Foto: Raul Ollo","name":"kristjan-randalu-jazzkaar-2025-2-2","status":"inherit","uploaded_to":49234,"date":"2025-04-22 11:50:22","modified":"2025-04-23 08:35:41","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/jazzkaar.ee\/wp-includes\/images\/media\/default.png","width":2048,"height":1365,"sizes":{"thumbnail":"https:\/\/jazzkaar.ee\/wp-content\/uploads\/2025\/04\/Kristjan-Randalu-Jazzkaar-2025-2-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/jazzkaar.ee\/wp-content\/uploads\/2025\/04\/Kristjan-Randalu-Jazzkaar-2025-2-300x200.jpg","medium-width":300,"medium-height":200,"medium_large":"https:\/\/jazzkaar.ee\/wp-content\/uploads\/2025\/04\/Kristjan-Randalu-Jazzkaar-2025-2-768x512.jpg","medium_large-width":768,"medium_large-height":512,"large":"https:\/\/jazzkaar.ee\/wp-content\/uploads\/2025\/04\/Kristjan-Randalu-Jazzkaar-2025-2-1024x683.jpg","large-width":1024,"large-height":683,"1536x1536":"https:\/\/jazzkaar.ee\/wp-content\/uploads\/2025\/04\/Kristjan-Randalu-Jazzkaar-2025-2-1536x1024.jpg","1536x1536-width":1536,"1536x1536-height":1024,"2048x2048":"https:\/\/jazzkaar.ee\/wp-content\/uploads\/2025\/04\/Kristjan-Randalu-Jazzkaar-2025-2.jpg","2048x2048-width":2048,"2048x2048-height":1365,"image_640px":"https:\/\/jazzkaar.ee\/wp-content\/uploads\/2025\/04\/Kristjan-Randalu-Jazzkaar-2025-2-640x427.jpg","image_640px-width":640,"image_640px-height":427,"image_768px":"https:\/\/jazzkaar.ee\/wp-content\/uploads\/2025\/04\/Kristjan-Randalu-Jazzkaar-2025-2-768x512.jpg","image_768px-width":768,"image_768px-height":512,"image_1024px":"https:\/\/jazzkaar.ee\/wp-content\/uploads\/2025\/04\/Kristjan-Randalu-Jazzkaar-2025-2-1024x683.jpg","image_1024px-width":1024,"image_1024px-height":683,"image_1280px":"https:\/\/jazzkaar.ee\/wp-content\/uploads\/2025\/04\/Kristjan-Randalu-Jazzkaar-2025-2-1280x853.jpg","image_1280px-width":1280,"image_1280px-height":853,"image_1366px":"https:\/\/jazzkaar.ee\/wp-content\/uploads\/2025\/04\/Kristjan-Randalu-Jazzkaar-2025-2-1366x910.jpg","image_1366px-width":1366,"image_1366px-height":910,"image_1600px":"https:\/\/jazzkaar.ee\/wp-content\/uploads\/2025\/04\/Kristjan-Randalu-Jazzkaar-2025-2-1600x1066.jpg","image_1600px-width":1600,"image_1600px-height":1066,"image_1920px":"https:\/\/jazzkaar.ee\/wp-content\/uploads\/2025\/04\/Kristjan-Randalu-Jazzkaar-2025-2-1920x1280.jpg","image_1920px-width":1920,"image_1920px-height":1280,"image_2400px":"https:\/\/jazzkaar.ee\/wp-content\/uploads\/2025\/04\/Kristjan-Randalu-Jazzkaar-2025-2.jpg","image_2400px-width":2048,"image_2400px-height":1365,"woocommerce_thumbnail":"https:\/\/jazzkaar.ee\/wp-content\/uploads\/2025\/04\/Kristjan-Randalu-Jazzkaar-2025-2-415x415.jpg","woocommerce_thumbnail-width":415,"woocommerce_thumbnail-height":415,"woocommerce_single":"https:\/\/jazzkaar.ee\/wp-content\/uploads\/2025\/04\/Kristjan-Randalu-Jazzkaar-2025-2-600x400.jpg","woocommerce_single-width":600,"woocommerce_single-height":400,"woocommerce_gallery_thumbnail":"https:\/\/jazzkaar.ee\/wp-content\/uploads\/2025\/04\/Kristjan-Randalu-Jazzkaar-2025-2-100x100.jpg","woocommerce_gallery_thumbnail-width":100,"woocommerce_gallery_thumbnail-height":100}},"author":"Olga Klebanovskaja","content":"

For the opening night of the 36th<\/sup> Tallinn International Festival Jazzkaar, something truly special was prepared for the audience \u2013 a captivating performance by Estonian pianist Kristjan Randalu and his quintet, offering a fresh interpretation of Jaan R<\/strong>\u00e4\u00e4t<\/strong>\u2019s Marginalia<\/em>. \u00a0<\/strong><\/p>\n

The honor of opening this year\u2019s festival went to a name well known to Jazzkaar audience – Kristjan Randalu.<\/strong> His connection to the festival dates back to the early 2000\u2019s, when he first graced the stage. This time, however, Randalu chose not to highlight his own compositions, but instead to pay tribute to another great Estonian talent \u2013 composer Jaan R<\/strong>\u00e4\u00e4ts (1932\u20132020)<\/strong>.<\/p>\n

The two artists shared more than a mutual respect \u2013 they knew each other personally and professionally, with R\u00e4\u00e4ts serving as both mentor and creative influence to Randalu.<\/p>\n

R\u00e4\u00e4ts\u2019 24 Marginals<\/em> was originally composed in 1979 and published as Marginalia<\/em> in 1981. Over the years, the composer created several variations of the work \u2013 for solo piano, electronics and two pianos. Thanks to this adaptability, Marginalia<\/em> has inspired a wide range of performances and recordings since its release, and Kristjan Randalu is among those who have continued to explore and reinterpret its unique sonic language.<\/p>\n

At the opening concert of the Jazzkaar festival, Randalu was joined on stage by a remarkable lineup of musicians who helped bring the reinterpretation of Marginalia<\/em> to life \u2013 Norwegian guitarist and electronic musician Eivind Aarset<\/strong>, Taavi Kerikm\u00e4e<\/strong>\u00a0on synthesizers,\u00a0Mihkel M\u00e4lgand<\/strong>\u00a0on double bass, and\u00a0Hans Kurvits<\/strong>\u00a0on drums.<\/p>\n

From the very start of the concert, it was clear we were in for something special. The addition of electronics and synthesizer transformed each piece into something entirely new. The opening composition moved dramatically \u2013 from a calm, melodic beginning to more intense, textured sounds. Layers of guitar and synthesizer transported you to vastly different places: one moment, a deserted beach; the next, a quite forest at night. At least, that\u2019s how it felt \u2013 goosebumps and all.<\/p>\n

At times it felt like we were entering outer space \u2013 otherworldly, with subtle robotic sounds on the background. Then suddenly, the atmosphere would shift, and we\u2019d find ourselves in what felt like a classical jazz concert, filled with warm, familiar melodies that the ears could easily follow. The texture of sounds was at times complex and unpredictable, but that\u2019s exactly what made the concert so captivating \u2013 a constant stream of surprises, never quite knowing what would come next. The musicians moved seamlessly from one piece to another, yet offered no clues about what to expect. Isn\u2019t that precisely what Jaan R\u00e4\u00e4ts intended with his electronic interpretation of Marginalia<\/em>? Without a doubt, he did.<\/p>\n

Of course, the talented Kristjan Randalu didn\u2019t forget about his quintet, giving each musician a chance to shine with a solo. Yet, each solo felt seamlessly woven into the fabric of Marginalia<\/em> \u2013 not as interruption, but as perfect extension of the composition. Although the audience respectfully held their applauses between pieces, Mihkel M\u00e4lgand\u2019s solo on the double bass broke that silence, earning him a well-deserved wave of applause.<\/p>\n

But while Mihkel M\u00e4lgand rightfully earned praise for his solo, it would be impossible not to mention Taavi Kerikm\u00e4e. His deep engagement with each piece, paired with his subtle, fluid movements in sync with the music, captivated the audience. His presence wasn\u2019t just heard \u2013 it was deeply felt.<\/p>\n

When the encore ended, the audience sat in a brief, stunned silence – taking a few quiet seconds to process what they had just experienced: the intricate compositions, the rich textures of sound, and the waves of emotion that had washed over them throughout the concert. That moment of stillness felt like an unspoken message from the musicians: \u201cThis is what we created for you today.\u201d<\/em> A truly beautiful moment of unity between the performers and the audience.<\/p>\n

For those who haven\u2019t yet heard the 24 pieces from Jaan R\u00e4\u00e4ts\u2019 Marginalia<\/em> \u2013 take the time to discover the music of this remarkable Estonian composer. Explore it in its various forms \u2013 whether as a solo piano version or in its electronic reinterpretation. And once you do, seek out a recording of this concert. It will feel like uncovering an entirely new version of the 1981 original. Believe me \u2013 it\u2019s worth it.<\/p>\n

Concert gallery<\/strong><\/a><\/p>\n

 <\/p>\n

Kristjan Randalu \u201cMarginalia and Dividends\u201c
\n<\/strong>20th <\/sup>of April 2025, Von Krahl<\/p>\n

The band:
\nKristjan Randalu \u2013 piano
\nEivind Aarset \u2013 guitar & electronics
\nTaavi Kerikm\u00e4e \u2013 keyboards & electronics
\nMihkel M\u00e4lgand \u2013 double bass
\nHans Kurvits \u2013 drums<\/p>\n"},"yoast_head":"\nR\u00e4\u00e4ts\u2013Randalu\u2019s Marginalia and Dividends - Festival Jazzkaar<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jazzkaar.ee\/en\/jazzkaar-2025-opening\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"R\u00e4\u00e4ts\u2013Randalu\u2019s Marginalia and Dividends - Festival Jazzkaar\" \/>\n<meta property=\"og:url\" content=\"https:\/\/jazzkaar.ee\/en\/jazzkaar-2025-opening\/\" \/>\n<meta property=\"og:site_name\" content=\"Festival Jazzkaar\" \/>\n<meta property=\"article:published_time\" content=\"2025-04-22T11:54:53+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-04-23T08:35:41+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/default\" \/>\n<meta name=\"author\" content=\"Marii Tunnel\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Marii Tunnel\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/jazzkaar.ee\\\/en\\\/jazzkaar-2025-opening\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/jazzkaar.ee\\\/en\\\/jazzkaar-2025-opening\\\/\"},\"author\":{\"name\":\"Marii Tunnel\",\"@id\":\"https:\\\/\\\/jazzkaar.ee\\\/en\\\/#\\\/schema\\\/person\\\/1d6daf5b911cc8f2bfc005aab1c77943\"},\"headline\":\"R\u00e4\u00e4ts\u2013Randalu\u2019s Marginalia and Dividends\",\"datePublished\":\"2025-04-22T11:54:53+00:00\",\"dateModified\":\"2025-04-23T08:35:41+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/jazzkaar.ee\\\/en\\\/jazzkaar-2025-opening\\\/\"},\"wordCount\":7,\"publisher\":{\"@id\":\"https:\\\/\\\/jazzkaar.ee\\\/en\\\/#organization\"},\"articleSection\":[\"Reviews\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/jazzkaar.ee\\\/en\\\/jazzkaar-2025-opening\\\/\",\"url\":\"https:\\\/\\\/jazzkaar.ee\\\/en\\\/jazzkaar-2025-opening\\\/\",\"name\":\"R\u00e4\u00e4ts\u2013Randalu\u2019s Marginalia and Dividends - 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