{"id":27831,"date":"2014-04-20T16:41:05","date_gmt":"2014-04-20T13:41:05","guid":{"rendered":"https:\/\/jazzkaar.ee\/review-young-estonian-jazz-left-the-brass-behind\/"},"modified":"2014-04-20T16:41:05","modified_gmt":"2014-04-20T13:41:05","slug":"review-young-estonian-jazz-left-the-brass-behind","status":"publish","type":"post","link":"https:\/\/www.jazzkaar.ee\/en\/review-young-estonian-jazz-left-the-brass-behind\/","title":{"rendered":"Review: Young Estonian jazz left the brass behind"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1500],"tags":[],"class_list":["post-27831","post","type-post","status-publish","format-standard","hentry","category-news"],"acf":{"image":false,"author":"Monika Erdman","content":"

First thing people mostly associate with jazz music is brass (usually a saxophone). At the Young Jazz Talent Award gala no-one played any wind instrument.<\/span><\/p>\n

The concert was opened by Erki P\u00e4rnoja<\/strong> who played his own compositions and let the public enjoy the gentle and bright sound of a guitar, flowing with Joel Remmel<\/strong>\u2019s deep piano passages. Even though P\u00e4rnoja mentioned that they had not practiced much before the concert, it was hard to see any misunderstanding between them. After going a bit avant-garde and abstract in the first song they cleverly and thoughtfully came back to the main theme, showing great teamwork and splendid composing skills.\u00a0<\/p>\n

Then, a smiling, shiny girl appeared on stage – Kadri Voorand<\/strong>. She was going to surprise the listeners. She explained that the song was about the sea and a girl. When the band started playing you could see the sea without understanding a word. Kadri Voorand does what contemporary musicians often forget to do \u2013 she tells stories with music and non-verbal vocalizations. After the first piece, Voorand suddenly became an incredible mix of Karin Dreijer Andersson<\/strong> and Mike Patton<\/strong>. Totally insane and astonishing! Supported by distortion guitar and saturated bass line she danced, jumped and used effect pedal board creating terrifying inhuman voice. With one perfect execution the band made public sit on the edge of the chairs.<\/span><\/p>\n

Sofia Rubina<\/strong> is the example of classy and stylish jazz. With the help of swinging rhythm section she showed wide possibilities of her strong and beautiful voice in an unforgettable solo and then bashfully passed the solo to the pianist. It was unpredictable and amusing to hear Jewish traditional song motives in Sofia\u2019s second piece. The band skilfully turned ethnic music into groove, changing measures and themes so neatly that it was absolutely insensibly and enjoyable for everyone.\u00a0<\/span><\/p>\n

Double bass is still not considered as a solo instrument, but when a talented bass player has melodic thinking, we have Avishai Cohen<\/strong> or Esperanza Spalding<\/strong>. In Estonia we have Peedu Kass<\/strong>. The first piece he played with his friends Andre Maaker<\/strong> and Ahto Abner<\/strong> was full of joyful and hilarious dialogues between the instruments, making it music for musicians. Peedu Kass finished with beautiful solo performance \u201cGoodbye pork pie hat\u201d by Charles Mingus<\/strong> and left the stage for Joel Remmel.\u00a0<\/p>\n

Playing in a bunch of different projects, Joel Remmel composes his own songs and at the \u201cYoung Estonian Jazz\u201d show, he performed the earlier two, but rearranged and elaborated. With beautiful Laura Remmel<\/strong> on vocals and inventive Kaspar Kalluste<\/strong> on drums they impressed listeners by playing sophisticated dark-coloured music, adding to the atmosphere with Laura Remmel\u2019s breathing modified with sound effects.\u00a0<\/p>\n

Rhythmically varying program was expected from Kaspar Kalluste. As a special guest he invited Kadri Voorand and they did a marvellous piece with phonetic lyrics and rock elements.\u00a0<\/p>\n

Holger Marjamaa<\/strong> performed last but not the least. He showed that young artists still respect traditions and find inspiration in golden heritage of Jazz music by demonstrating his virtuosity and staying melodic and careful to the originals. He performed \u201cVery early\u201d by Bill Evans<\/strong> and \u201cInner Urge\u201d by Joe Henderson<\/strong>.<\/p>\n

\u00a0<\/p>\n

Gala concert \u201cYoung Estonian Jazz\u201d<\/strong><\/p>\n

April 19 at the Marina Pavillion<\/strong><\/p>\n

Erki P\u00e4rnoja (guitar), Joel Remmel (piano), Heikko Remmel (double bass), Ahto Abner (drums)<\/p>\n

Kadri Voorand (vocals, piano), Virgo Sillamaa (guitar), Mihkel M\u00e4lgand (double bass)<\/p>\n

Sofia Rubina (vocals), Mihkel M\u00e4lgand (double bass), Ahto Abner (drums)<\/p>\n

Peedu Kass (double bass), Andre Maaker (guitar), Ahto Abner (drums)<\/p>\n

Joel Remmel (piano), Laura Remmel (vocals), Kaspar Kalluste (drums)<\/p>\n

Kaspar Kalluste (drums), Kadri Voorand (vocals), Virgo Sillamaa (guitar), Marti T\u00e4rn (bass guitar)<\/p>\n

Holger Marjamaa (piano), Heikko Remmel (double bass), Kaspar Kalluste (drums)<\/p>\n"},"yoast_head":"\nReview: Young Estonian jazz left the brass behind - Festival Jazzkaar<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jazzkaar.ee\/en\/review-young-estonian-jazz-left-the-brass-behind\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Review: Young Estonian jazz left the brass behind - Festival Jazzkaar\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.jazzkaar.ee\/en\/review-young-estonian-jazz-left-the-brass-behind\/\" \/>\n<meta property=\"og:site_name\" content=\"Festival Jazzkaar\" \/>\n<meta property=\"article:published_time\" content=\"2014-04-20T13:41:05+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/default\" \/>\n<meta name=\"author\" content=\"gert\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"gert\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.jazzkaar.ee\\\/en\\\/review-young-estonian-jazz-left-the-brass-behind\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.jazzkaar.ee\\\/en\\\/review-young-estonian-jazz-left-the-brass-behind\\\/\"},\"author\":{\"name\":\"gert\",\"@id\":\"https:\\\/\\\/www.jazzkaar.ee\\\/en\\\/#\\\/schema\\\/person\\\/ca80b0181f967376324f53e3baa75b15\"},\"headline\":\"Review: Young Estonian jazz left the brass behind\",\"datePublished\":\"2014-04-20T13:41:05+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.jazzkaar.ee\\\/en\\\/review-young-estonian-jazz-left-the-brass-behind\\\/\"},\"wordCount\":8,\"publisher\":{\"@id\":\"https:\\\/\\\/www.jazzkaar.ee\\\/en\\\/#organization\"},\"articleSection\":[\"News\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.jazzkaar.ee\\\/en\\\/review-young-estonian-jazz-left-the-brass-behind\\\/\",\"url\":\"https:\\\/\\\/www.jazzkaar.ee\\\/en\\\/review-young-estonian-jazz-left-the-brass-behind\\\/\",\"name\":\"Review: Young Estonian jazz left the brass behind - 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