Swiss pianist Nik B\u00e4rtsch<\/strong> is an instrumentalist, composer and improviser very much in the European classical-oriented style of jazz, but has created a language that transcends these basic categories. His ritualistic approach to music making is nourished by his concepts of reduction and repetition as well as his fascination with Japanese culture. Here textures from jazz, funk, new music, minimal as well as ritual and sacred music are organically interwoven. \u201cMy thinking and music are based on the tradition of urban space. The city in its roaring diversity requires an ability to focus and concentrate on the essential: to measure one\u2019s actions, to remain silent at the right place,\u201d B\u00e4rtsch says. \u201cFrom self-implied restriction stems freedom. Ecstasy through asceticism.\u201d<\/p>\n Born in Zurich, Nik B\u00e4rtsch started learning piano and drums at the age of 8. During his career, he has played everything from fusion to free-funk, and all kinds of extroverted jazz. At one point, he discovered the ideas behind the compositions of Nick Cage and Morton Feldman, from which he drew inspiration from. B\u00e4rtsch works simultaneously with three formations. The group MOBILE plays purely acoustic music, performed in rituals of up to 36 hours, including light installations and room design. The Zen-funk quartet RONIN, by contrast, is more flexible and plays the compositions more freely. As a highly praised solo performer B\u00e4rtsch performs his compositions on prepared piano with percussion.<\/p>\n We thank: Pro Helvetia<\/strong><\/p>\n","videos":[{"video":"